Skip to main content

Extraordinary

On Friday evening, I uploaded Ardmore Endings to Amazon/Kindle. On Saturday morning, I had a notification that the formatting was correct and the book was now available.

I immediately ordered several copies for friends and for myself.

My copy was delivered just after 1200 on Sunday.

Never mind that this was the weekend, it was less than 48 hours from uploading a pdf to receiving a 330-page, 6 x 9-inch book with a colour cover.

Poor Gutenberg had to reset the Bible four times before he was able to print it. Then again, he didn't have to write it.

If anyone doubts digital printing (and allegedly, Amazon uses HP Indigo presses), examples such as this should dispel all doubts. The binding is sound, the ink is black (not the grey one too often finds in cheap paperbacks), and the edges are sharply cut.

This is not just the digital press, but the result of a whole automated production workflow.

My pdf file went to a Cloud server and a notification was sent to the printer nearest the addresses the books were to be sent to. In addition to my own, I ordered one for an address "up North," and another for the southern counties as well as one for the US (which won't arrive until Thursday, I am told. Well, it is going below the Mason-Dixon Line, so these delays are to be expected.)

Anyway, once notified, the printer downloads the file and it goes into his workflow. Somewhere along the line, a bar code is appended to the job that says how many copies are to be printed and what size. Ardmore Endings will have been ganged up with other books of the same format. Most likely, the cover will have been sent to a different digital press that could handle colour. Those that print text only are able to handle colour, but probably have black ink in the slots for the colour cartridges.

The text will probably be printed on a B2 press that can print four A4 pages, and more 6 x 9-inch pages, depending how they're imposed.

The cover will have its own bar code, ensuring that Ardmore Endings doesn't arrive with a cover for a transgender vegan cookbook. After the cover has been printed, it will have received a matt varnish, while other covers printed on the same press may receive a gloss finish.

The bar code will ensure that my text and my cover are united at the binding machine which will apply the glue to the trimmed back edge of the text, then wrap the cover around it (right way up) and send it for trimming.

The bar code also has my address which will be printed on the shipping label and stuck (via a self-adhesive label, automatically applied) to the carton board mailing envelope, which will be automatically sealed and - with or without human intervention - dumped into a mail sack which miraculously appears at my door at the hands of a charming young lady who has no idea that she has just met one of the country's leading undiscovered novelists.






Comments

Popular posts from this blog

First Lines

First lines are first impressions Teachers of creative writing are always bleating about the importance of first lines. They're not wrong, but a first line isn't make-or-break. Many excellent novels have indifferent first lines, but their significance is often created by the fact that they are the opening lines of great books; they are not great books because they have killer opening lines. Consider the first line of Dickens' A Tale of Two Cities . it rambles on for 119 words, and demonstrates that Dickens had no understanding of the semi-colon. Most people can only remember the first dozen words; show-offs know the first two dozen. Dickens was being paid by the word, and was a master at turning one good idea into a whole chapter. (Don't misunderstand me: A Tale of Two Cities is one of my favourite books.) First lines are like book titles. They can take a while for the writer to feel satisfied with them, but often, they don't really matter. When asked what he...

Reflections - Moby Dick

Has anyone read all of Moby Dick ? Congratulations if you have. I hope you enjoyed it. I've started it half a dozen times; it was required reading for at least three courses I took over the years, but I never finished it. Each time I began, I felt that this was a wonderful book, to be read at the pace that a whaling ship travelled. If you read it carefully and let it go at its own speed, you can feel the roll and pitch of the Pequod , and catch the fresh scent of the sea, and the stale smell of Ishmael, Queequeeg, and the crew. Forget the interpretations people have told you about the symbol of the whale; of Ahab's vision of a malevolent God. Let the whale and Ahab explain themselves. Try to listen to Ishmael, and put your own urgencies and the 21st century world out of your head, and slow to that pitch and roll. The detail about whales and whaling is almost overwhelming. Melville is like the best of hunters: he knows - and one suspects, loves - ...

Was Scrooge Conned?

It would be interesting to trace the tradition of the Christmas ghost story beyond the superficial (see below). I am sure it is related to the darkness and cold of the year and people huddled around a fire for comfort and warmth, but the association with Christmas and ghosts is incongruous - or is it? Yes, there were pagan mid-winter feasts, but it's hard to see why they would emerge in the 18th and 19th centuries when ghost stories rose in popularity. Dickens is, of course, associated with the genre and wrote the quintessential Christmas ghost story. Ironically, given its Christmas theme, God barely gets a look in in A Christmas Carol . There are only a dozen mentions of God - mostly in passing "God bless you"s or the singing of God Rest Ye, Merry Gentlemen. There is no mention of Christ, Jesus, or Saviour, and no one is seen going to church. So, what we have is a ghost story trading on a secular commercial Christmas so that Dickens and his publisher can sell a few...